Archive for June, 2013

The Creation of El Vengador by Stephanie Osborn

Wednesday, June 26th, 2013

The Creation of El Vengador
By Stephanie Osborn

El Vengador400

Deputy Sheriff Michael Kirtchner gets an “unknown disturbance” dispatch call to a remote house trailer in the swamp. There, he discovers an old woman and a dog, terrorized by a mysterious beast, which he takes to be a bear. But when he contacts Game Warden Jeff Stuart to come trap the animal, Stuart tells him to get out if he values his life – this is no ordinary animal. Is Kirtchner up against a Swamp Ape – a Florida version of Bigfoot – or something more…sinister?

El Vengador ( is my first deliberate foray into the paranormal and horror genres. I’ve had numerous friends try to convince me to do so in the last few years, but never was able to get hold of the right story idea. So I waited and let it “percolate” in the back of my mind.

But when a Facebook friend (who wants to remain anonymous) told me the story of his encounter of a mysterious “Florida Swamp Ape” during his tenure as a deputy sheriff, I was fascinated. And when he gave his permission for me to fictionalize the story, I knew I had found my paranormal horror story.

So I took his basic story from his own words and I transformed it. I cleaned it up, couched it in proper writer’s grammar, changed the point of view. I changed the deputy’s name, added the perspective of other civilians who encountered the creature…and then I twisted the knife.
Because, you see, I have some Cherokee in me. Oh, the family can’t prove it, not after the way the Cherokee were ejected from their properties during the Trail of Tears; any Native American who could pass as white in those days, did, and all records of their heritage were lost. But because I have several distinctive genetic expressions of that heritage, I am accepted by most elders I know as Cherokee. And my curiosity being what it is, along with my sincerity in wanting to know, I’ve been taught numerous things that most people don’t generally know.

Like the fact that the Cherokee (along with the Seminole and the Iroquois Confederacy, among others) are purported to have been offshoots – colonies, if you will – of the Maya peoples. It’s interesting to note that, just as the “Cherokee” are a group of tribes [Cherokee, Choctaw, Chickasaw, etc.], the Seminole are a group of tribes [Seminole, Creek, Miccosukee, etc.], the Iroquois Confederacy are a group of tribes [Mohawk, Onondaga, Oneida, Seneca, Cayuga, and later Tuscarora] ― so too are the Maya really a collection of tribes [Yucatec, Tzotzil, Tzeltal, Ch’ol, Kekchi, Mopan, and more]! The Maya comprised, and still comprise (oh yes, they’re still around ― they were laughing their butts off at the white fear of the “end” of their repeating calendar), more than 25 different peoples. The notion of splinter groups of this huge nation (it covered a substantial portion of Central America, butted up against the Aztec/Olmec empire, and expanded out into the Caribbean) moving up into Florida, then up the East Coast of North America, isn’t hard to believe at all.

It’s also true ― as I mentioned in the story ― that the medicine people and elders hold that the Maya, in turn, came from some place across the Great Sea to the East. Depending on who you talk to, this means we/they originated in Ancient Egypt, Phoenicia, Greece, the Biblical traders of Tarshish, or even Atlantis!

So it seemed to me that it would put a fun spin on things if I had this swamp ape, this mysterious unknown creature, be something other than pure animal. As it turned out, my research into the Maya turned up a mysterious “Howler Monkey God,” Hun-Batz, and an entire mythology in which this god was set. Monkey = simian, and ape = simian, so it wasn’t a huge jump for me to proposing a curse invoking the Son of Hun-Batz. And suddenly the whole thing congealed into this amazing, suspenseful, paranormal horror story.

How amazing and suspenseful? Well, let’s just say I literally creeped myself out. I’m a night owl, prone to insomnia and getting up in the night to putter around until I can fall back asleep. And I immediately discovered that I didn’t enjoy that anymore; I had a constant feeling that there might be something outside, in the yard, in the dark, watching through the windows and doors. When I did go back to bed, it was only to have lucid nightmares about the creature and the events in the book! I took to closing the curtains and blinds, avoiding the windows at night. Finally I gave up writing on the story after sundown, choosing to write only in the light, and hoping to get the imagery out of my head by bedtime.

I was more or less successful in that. I find that I still do better not to think about the book at night, and I still have the blinds and curtains closed at night. But our neighborhood is well lit with street lights, and the birds cluster in the trees around the house and sing cheerfully. So I know there’s nothing out there that they think is unusual. And that is comforting.

I don’t know that I’ll regularly write horror. I’m inclined to think, from my experiences with El Vengador, that I might not be cut out for that! Still and all, much of the science fiction mystery I do write tends to have strong elements of both paranormal and thriller, with the occasional seasoning of horror concepts thrown in for good measure. So I think I can take what I have learned from the experience and fold it back into my other works. And I think they’ll be the better for it.
And you never know. After all, my friend really did encounter…something…in the swamps of Florida…

What is it like in the weeks before a book release?

Wednesday, June 19th, 2013

Well, it’s a little crazy.

Most people might think that as a book release date approaches, an author’s work begins to wind down.

“If the book is already written, why are you so busy?” my friends ask.

“Because” I say, “Promo is about to begin.”

In fact, an author’s work ramps up as the launch approaches. Time seems to accelerate. Every task grows more urgent with every hour that passes. From an editorial perspective, there are Advanced Reader Copies (ARCs) to review. All those words, paragraphs and chapters present plenty of opportunity for errors. Details must be corrected both in the e-book versions and the print ARCs—things like formatting issues, indents, typos and nits. No matter how many times you scour the text, those diabolical little word gremlins are hard at work defying our best attempts at perfection.

You also have the promo coming at you like a fast pitch to the head. A look at my schedule for the summer leaves me breathless and it’s not even July yet! These days, I spend a lot of time talking to the wonderful folks who are organizing the promos for The Curse Giver. Press releases must be written, reviewed and rewritten. Virtual book tours must be organized, rearranged and adapted. Giveaways have to be scheduled. Reviews have to be collected.

“Wait, reviews?” you say. “The book’s not even out yet!”

Guess what? These days, reviews are necessary even before the book comes out. Word out on the street is that each five star-review translates into hundreds of sales.

Ah, shucks, then. Add begging for reviews to the list.

That’s on top of the interviews, the guest blogs and articles that are piling up on my desk. Don’t get me wrong. I love doing these. They are hard work, especially when you’re doing so many of them. They require a lot of time, because the questions are different and diverse, and I make sure that each interview, blog and article gets my time and full attention. But they are also a great opportunity to get to meet readers, bloggers and reviewers from all over the world, people who are as passionate as I am about fantasy, reading and writing.

So yeah, it’s crazy hectic over here, but that’s okay—no—better than okay, because The Curse Giver is on the way.

The Curse Giver's Galleys

The Curse Giver's Galleys